The studio nonetheless continued to develop a third “Godfather” and courted Coppola, who had moved onto ambitious projects like “Apocalypse Now.” But in the 1980s, his costly misfires, like “One From the Heart” and “The Cotton Club,” made Paramount’s offer one that he - well, you know how the quotation goes.Īnother incentive for Coppola to return was to team up again with Puzo, his esteemed screenwriting partner, and compose the script for “Part III”: one branch of the story would follow a new family member, Vincent (played by Andy Garcia), an illegitimate child of Michael’s brother Sonny, as he tries to earn his place in the Corleone clan, while another branch would chronicle Michael’s efforts to buy his way to legitimacy and absolution. As he put it in a recent interview, “I felt a little tired of doing that kind of thing. He himself was ready to leave behind his career-making role as Michael Corleone. “I always thought Francis was done with it,” Al Pacino said. When “Part II,” released in 1974, unexpectedly matched the critical and commercial acclaim of its predecessor, few of Coppola’s colleagues believed that he was interested in risking his luck on a third installment. As he explained the studio’s philosophy, he said, “You’ve got Coca-Cola, why not make more Coca-Cola?” But he said he had been “seduced” by Paramount, the studio behind the films, which acceded to his demand to give the initial follow-up the then-unusual title of “The Godfather Part II.”Īlready, Coppola said, Paramount had visions of building the original runaway hit into a multi-movie franchise.
Using a quaint metaphor, he compared his process to fixing a cigarette lighter.ĬOPPOLA NEVER INTENDED to make even one sequel to “The Godfather,” his blockbuster 1972 adaptation of Puzo’s best-selling novel. He is no longer the barnstorming artistic despot of the 1970s these days he approaches his trade like a seasoned craftsman, always honing his work in search of some mythical ideal. At 81, he is still striving to demonstrate his vitality as a filmmaker and reconnect with the rebellious energy that permeated the making of the first two “Godfathers.”
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It is a legend that seemingly ended with a fatally flawed result - but now has a new untold chapter that could improve the standing of the final film in one of the most influential franchises of all time.Ĭoppola’s personal story is of course inextricable from the story of the movie, and there is more at stake for the director than reclaiming his movie from the tarnished reputation he felt it never deserved.
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The history of this “Godfather” movie is as sweeping and dramatic as the much-told tales behind the creation of its two illustrious predecessors, full of conflict, perseverance and decisive last-minute changes. It was criticized for its lugubrious tone, convoluted plot and Coppola’s casting of his daughter, Sofia - now a celebrated filmmaker in her own right - as Michael’s doomed daughter, Mary.
Unlike the near universal acclaim the first two movies enjoy, “Part III” is remembered as the Fredo of its family - the one that doesn’t really measure up. Now he has turned his attention to “The Godfather Part III,” the 1990 film that took a more meditative approach to the Corleones. He has previously restored and reordered portions of the “Godfather” story, modifying its multigenerational tale of corruption, vengeance and family duty as his own ideas about storytelling have evolved.
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But rather than regard them as immutable monuments, Coppola has treated them like an unfinished painting he is free to update. These three movies have won a combined nine Academy Awards, grossed more than $1.1 billion when adjusted for inflation and gained an exalted status in the popular consciousness. In the final scene of “The Godfather Part III,” Michael Corleone, the aged protagonist of this epic crime drama, is left in solitude to contemplate his sins, gripped with guilt over actions that have devastated his family and the knowledge that he cannot change what he has done.įrancis Ford Coppola, the director and co-screenwriter of the “Godfather” series, has never approached his work in quite the same way.
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